The Stop Online Piracy Act –more commonly known as “SOPA“– is a piece of legislation recently introduced by the U.S. House of Representatives which has as its stated goal, protecting copyright holders and their livelihoods.

Unfortunately, in its current form this law is a good example of how the road to hell is often paved with good intentions. It is also a good example of how lobbyists from the RIAA and MPAA can sway Congress (a group that does not have the tech savvy to counter industry spin and half-true arguments), into taking a heavy-handed approach.

I am a staunch supporter of artist’s rights and holding to account those who make unauthorized sales from the work of others, but this bill could ruin the online experience so many creatives count on to make their living. It will stifle this “forum” we’ve created, for responsibly sharing, promoting and discussing our work. It will completely change the vibe of sharing sites like Google+ and Youtube, and may literally torpedo sites like Vimeo.com. That is, it could  put Vimeo out of business.  That’s to say nothing of sites owned by thousands of creative pros, who count on Vimeo’s affordable, high quality streaming service to get their products out to the world.

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One of the most powerful forms of photography that can encourage us to consider our perspective on the world and humanity, is astrophotography. If you’re not familiar with the term, it refers (generally) to photographers who head out at night (away from urban light pollution) to photograph the night sky, including stars, meteors, planets and even parts of our own Milky Way Galaxy. It can also refer to capturing images of the cosmos from scientific observatories such as the Hubble Space Telescope and others.

In light of this inspiring form of photography, I thought it would be great to do another interview. California native Brad Goldpaint (currently residing in Mt. Shasta) seemed like the perfect choice. I recently discovered his web site and images via Google+ and was instantly floored by many of them. I think you’ll agree as you examine some of his photos of the night sky, Brad’s insights are worth paying attention to for any aspiring astrophotographer.

The Mask & The Mirror © Brad Goldpaint

Q: Brad thanks for taking the time to discuss your photography. What made you decide to go into astrophotography? Do you have any background in astronomy? Any photographers in particular have an influence on your decision?

Absolutely, Dan. Thank you for having me! My passion for the night sky began during my early adolescence, when my father took me out into the California desert, far away from the city lights of our suburban home in Southern California. I fondly remember looking up to the dark skies as my dad pointed out the Hale-Bopp comet. The anomaly at the time looked like a “fuzzy star” to my young eyes and set in motion a desire to clearly capture special moments within the night sky, in relation to our natural surroundings. The specialness of father/son time and experiencing a new and different viewpoint of my world motivated me to begin self-studying the art of astro-photography… .

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I haven’t done one of these posts in a while, but this week I stumbled across some incredible work by Norwegian photographer Terje Sorgjerd. This movie (and there are a couple others like it on his Vimeo page) is worth sharing and speaks for itself. Enjoy.

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What does this signify to you?

[Updated 1-31-2012] Earlier today the good people over at Focus for Humanity tweeted a link to an article about what it means to be a professional photographer. I won’t link to the article or belabor the points made because they are consistent with other articles and discussions we’ve all seen before.

How do you define “pro”, how does money and education figure into the equation,  etc. It’s easy to get pulled into the vortex (I’ve written about the topic once or twice myself and tried to “answer the question”). The realization I’ve come to is that there’s very little substance to this debate and we should all put it to bed. Seriously. The root of the discussion is not grounded in anything that actually matters.

Just for fun, do this: go to Google and search “serious photographer”, then in the results click on the Image section. There are some pretty amusing results as you scroll down. (Fair Warning: if your Google filter is off, there are some nude photographs, if you’re bothered by same or are in a NSFW zone). Anyway, back to the big debate… .

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Petrified Velvet © Guy Tal

Welcome and thank you for doing this interview, Guy. As someone who is always inspired by great landscape photography, I think your images stand apart in many ways. Since I  focus more on the technical side here (software), I thought it would be useful to share your creative insights.

Thank you, Dan! I appreciate the kind words and the opportunity to be featured on your site.

An obvious question first: what motivated you to go into photography as a medium? Living on the Colorado Plateau, you can explore a world that is not only beautiful but also unique in terms of North American landscapes.

It wasn’t so much a deliberate choice as an evolutionary process. I loved hiking and spending time outdoors since I was a child. At one point I decided to photograph interesting things [so I could] share them with friends, and I became passionate about photography. It took some years to recognize that there was more to it than pointing the camera at interesting things and managing a successful exposure, though.

Over the years, I studied the works of other photographers and became more aware of the importance of composition and visualization. When I was finally able to scan my images and edit them myself in Photoshop (version 2.5 running on a Silicon Graphics Indy system I had access to at work) I was able to complete the workflow from concept to print with little reliance on commercial labs. It was then that I began to realize the true creative potential of the medium… .

Living on the Colorado Plateau is no accident. From the first day I visited, I knew this was where I belonged and it took me a few years to be able to make my home here. It was not an easy feat to accomplish, which makes me appreciate it even more. I recently released a collection of Colorado Plateau portfolios in electronic format hoping that the new medium might help reach those who may not be as familiar with the place. It is a wild, beautiful and unique desert with a fascinating natural and human history and deserves to be appreciated and preserved. Continue reading »

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Here’s a different kind of pyrotechnics, in honor of my country’s birthday. Nothing like a human flame-thrower in super slow-mo! This is entitled “Incendium” and was made by Danny Cooke. Goes without saying but I’ll say it anyway: don’t try this at home (or anywhere else). Enjoy!

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It’s been a while since I’ve profiled some of my favorite works found at Vimeo.com, so when I caught sight of this gem from NASA, there was only one thing to do! As you can guess from the header graphic I use on this site, astronomy and astrophotography are close to my heart. There is something about photography of the cosmos that inspires me in ways few other types of photography can. I’ve often thought, if I had more interest in advanced math, I could’ve been an astronomer or cosmologist. Maybe in another life.

For this segment, Chris Abbas has pieced together publicly available images and clips from the JPL/NASA Cassini program, which focus on the spacecraft’s study of the planet Saturn.  Much of it is effectively a time-lapse sequence of how the spacecraft viewed the planet as it orbited . Enjoy it; I know I did!

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Continuing the spirit of Earth Day 2011, I found this interesting “silent” documentary from Lorenzo Fonda about the Oceans, on Vimeo’s staff picks list last Friday. Aside from a typo here or there and one modestly off-color sequence, I thought the big picture vibe this movie brings is worth watching. One of the things I like about it, is that like the ocean, the important words are revealed in time. No CNN-style flash-bang-in-your-face graphics here. Wait and watch… and maybe learn something along the way. Plus this is about as close as I get to an ocean-going vessel, as the rolling sea and my inner ear don’t get along much. : )

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It’s not that often that we get a truly inspiring story along with beautiful artwork, but this week we can enjoy both thanks to a short documentary by Sam Collins, about a corporate sales worker turned light painter, Denis Smith. Like a lot of people, Denis found himself in an unhappy and difficult place working the corporate sales ladder, striving for ever-more-pointless levels of wealth and material possession. And it all came crumbling down when the Great Recession hit in 2008. After struggling with alcohol and even depression, and almost losing his wife, Denis pulled himself up out of the corporate hole he was in, and discovered a completely new life. The result is some amazing photographic art, and something truly inspiring.

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Here’s a great hybrid animation piece that combines stop-motion photography and 2D motion graphics, created by Max Moertl. This work proves the value of keeping things simple and focusing on one technique and doing all that you can with it, rather than trying to throw a lot of bells and whistles at a project. Also definitely worth checking out the “making of” video!

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Here’s an amazing mix of time-lapse video and “miniaturization” effects from Joerg Daiber, created in post with DOF techniques. This is becoming a more popular technique, so I’ve planned a nice DOF tutorial in the near future for you, using a plugin called Bokeh. Meantime, enjoy the beauty of Thailand (no grey skies, snow or slush)!

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This is a great slow motion piece that I found recently on Vimeo. Conceptually it’s not new (high-speed camera gurus have been photographing splashing water, exploding liquids and things of this nature for a long time), but the idea of using paints and a dark background has a certain simplicity and artistic appeal I really like. Check it out and see what you think! This piece was photographed by Johann Cohrs and Siggi Kuckstein, and edited by Michael Koch and Michael Lübben. Even the music is perfect accompaniment.

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This week Colortrails is taking a slightly different tack for the artist interview process, by talking with accomplished amateur photographer Stuart Sipahigil. Stuart photographs landscapes and other subjects, and has recently published an eBook on the Craft & Vision web site called Close to Home, which is all about finding beauty and interesting photographic subjects near the place you live.


 

 

Image © Stuart Sipahigil

Colortrails: Tell us a bit about yourself. How did you get your start in photography? What drew you to the medium and keeps you going?

Stuart: I consider myself an amateur photographer; that is, I don’t do this for a living. But I am passionate about it and I love making photographs. On my blog, I tell the story of getting a plastic 120 film camera for Christmas, shooting everything in sight, then opening the back to see my pictures. I was devastated when my grandfather gently explained to me what I’d done.

I really began to think of myself as a photographer when I was in college studying architecture. I took a photography class as a media elective and immediately fell in love with it. I spent as much time as I could shooting and in the darkroom—which might explain why I’m not an architect today. Seriously though, I loved both the artistic and the technical side of photography, and I still do. I find myself drawn more toward the artistic side these days, but there’s still an inner geek that wants the latest and greatest stuff.

For me, photography is a bit of an obsession, but in a good way. If I haven’t been able to shoot for a while, I really miss it and I do my best to get back out there as soon as possible. It helps that I’m a bit of an explorer at heart, so I’m always on the look out for places I’ve never been or techniques I’ve never tried. It’s one of the great things about photography for me; the constant experimentation and exploration. It truly never ends. Continue reading »

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A blast from the past! Well, not really but it’s been a couple months since I’ve posted on of my inspired art profiles. However, I decided to make a quick scan over at the Vimeo Staff Picks page this morning, and it didn’t take me long to find an artist who is doing some really unique and compelling work. Quayola is a London-based artist who “focuses on multiple forms exploring the space between video, audio, photography, installation, live performance and print”. For this piece (and another very similar one), he uses customized 3D software to “deconstruct” or “transform” parts of famous paintings into animation, integrating audio and lighting to enhance the effect. Very abstract, but sometimes abstract is good. Once you start watching you’ll want to keep watching to see what you can pick out or make sense of; it’s very cool.

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I’m excited to share the third in our series of artist interviews this week, because we have someone who is the perfect example of “get out there and do it!” Alaskan Dan Bailey is an adventure photographer and blogger, and one look at his images is all you need to know that he’s not afraid to take some risk in order to do what he loves. Enjoy!


 

Snowboarder © Dan Bailey

Colortrails: I notice you started out working for a stock agency in Boston. Why did you choose that position; was it part of a larger plan to eventually run your own photography business, or did you discover a love for photography only after you started working there? As a side note, what’s the best way for someone to approach an agency, if they want to be an editor?

Dan Bailey: I wouldn’t say that it was part of any grand plan, but the opportunity was definitely in line with … my desired career path. I actually started taking photos while studying recording engineering at Berklee College of Music, and by the time I graduated, I was realizing that a career sitting in windowless recording studios and smoky bars didn’t appeal to me as much as running around outside in the world with my camera.

Initally, I got involved with Light Sources Stock as a contributor. They were a small agency, and being a relative newcomer to the photo industry, it seemed like a good place to start. Over the course of a couple years, I developed a working relationship with the owner and the editor, and at one point, they called me to see if I could come in and help out one day a week.

At the time, I was working at an outdoors store, and spending most of my free time shooting photos and really trying to advance my skills. I knew that I wanted to become a pro someday, but wasn’t sure how to get there. I consdiered enrolling in the New England School of Photography, but having just graduated from Berklee, I didn’t want to risk spending lots of time and money and burning myself out on photography. Continue reading »

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If you’ve followed my tutorials and twitter postings at all, you know I’m a big fan of Vimeo. Free accounts, high quality compression, good sharing options, and for the most part those features are free to all. That said, the best thing about Vimeo is that it is a focused medium. Think YouTube for digital artists but without the signal:noise problem. One of the more interesting artists I’ve discovered on Vimeo is photographer (both video and still) Bill Newsinger from Leicester, UK.

Bill is a guy who routinely posts interesting photo montages, videos, time-lapse and other works that give you a real look into his world. He also composes many of his own soundtracks, which I think adds another dimension to his work.


Colortrails: One of the things that strikes me about your work is the way you capture little details in a way that makes the video and photography. Have you always had an eye for the “hidden” details or did it take time to develop that? What is it about those things that motivates you to film and photograph them?

Bill Newsinger: My photography and videography have developed out of an interest in art. I see a real connection between traditional painting and drawing, to the more recent art forms of videography and photography and I am always attempting to remember this when I’m standing in a field in the rain in Leicestershire with a camera round my neck!

I was very influenced by the work of Karen Abad and Charlie McCarthy when I first started video blogging…..they seemed to be able to add some intangible magic to their images, allowing the camera to hang on events and details that could suddenly mesmerize the viewer. I have learned that you have to look very VERY hard before you shoot. Looking is everything….and the more you do it, the quicker and better you get at it.

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This week I’m starting something new at Colortrails: artist interviews! As part of this process I shall attempt (once again) to get a good commenting / discussion system up and running here (thanks to Gene for his Disqus recommendation), so that you can add your thoughts and even send in suggestions for artists you’d like to see interviewed. Our first discussion is withPhotoshop Artist John Weber.


Photoshop Collage © John Weber

Colortrails: Two things that make your work stand out, are your use of manufactured parts (pipes, circuit boards,  etc) and your use of white space. Can you share how you developed this style?

John Weber: I was a graphic designer before I started doing photo illustration so I got used to the idea of white space with page layout.  I tried to not only focus what was put on the page, but how those graphics interacted with the page itself. The graphic tension of what is not there plays against what is there. That is still something I try to utilize in my photo-illustrations. Continue reading »

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This is a really amazing animation piece from Cube Creative (Louis Thomas, Theo Guignard and Benjamin Moreau) that is worth watching all the way through. Takes not just skill to make something like this but also a lot of creativity and imagination (especially imagination). Of course, it takes more than one person to make something like this in many cases, but that’s beside the point. Team or individual, this is great work. Enjoy.

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Something a little different this week. Sometimes it’s as much about the journey and what you learn from it, as it is the final art. This documentary of a photo-expedition in the Himalayas is both inspiring and a little bit of a wake up call for most of us. Takes real commitment and a fearless attitude to leave the world behind and go do something like this because you can and because you want to. This was put together by Renan Ozturk, Camp 4 Collective, Cory Richards and others. Enjoy.

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Another really slick motion graphics piece, done by Candas Sisman. I think the thing I like best about this is the simplicity and the concept, derived from the work of sculptor İlhan Koman.

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